The entry listing: one fixed card, held across a whole series. Standard frames at 6 credits, premium reserved for covers.
Standard text-to-image: 6 credits per image — and your daily check-in hands you 6 credits free, so today’s first frame can cost nothing. Every job shows its exact cost before you confirm it.
Every set in this studio is found from the same starting point: a fictional adult woman, entered once and entered precisely. The standard model renders a tall 832×1248 frame for 6 credits; the premium model, at 41 credits, is reserved for the frames that will front a pack or anchor a profile. Between those two costs sits the whole craft of the generator, and it is a cataloguer’s craft: the character’s description is her finder card, and a finder card is never rewritten from memory halfway through a series.
Write the finder card with five fixed fields, always in the same order: her age as a plain number, 25 or over; her hair — colour, length and one habitual style; her build in two or three words; one or two enduring facial details; and a signature — the mole, the small scar, the ring she never removes — that lets a viewer find her even in a tight crop. Paste that card, word for word, at the head of every prompt. Beneath it, a single variable line carries what changes: the outfit, the room, the hour, the light. Hold the card steady and each new frame can be looked up honestly against the last; let it drift and no model setting will find her again.
Concrete fields survive filing. “Long mahogany hair in a high twisted topknot with one loose strand” renders the same woman at every job; “glamorous hair” is a mood, and moods are reinterpreted at every generation.
File a set in one setting under one light, then move a single variable onward. A series is built from deliberate single changes, not from re-rolling a prompt and hoping she is still findable.
Generate generously at the standard cost, then cull hard against the finder card. Edits, swaps and upscales are finishing costs — spend them only on frames that were found to be her.
Brief seven frames of one character in one session, and the feed never waits on inspiration mid-week.
The frame at the front of a pack, filed under the same entry as the set inside it.
Stills composed with room to move — space around the subject, a direction left open — ready for the video listing.
“Fictional 34-year-old woman, long dark mahogany hair in a high twisted topknot with one loose strand at her temple, warm honey skin, a small mole above her left eyebrow; sunset-orange satin balconette lingerie set with cream lace trim and a sheer rose-pink robe slipped off one shoulder, standing before a cream-walled studio with a tall brass card-catalogue cabinet and an arched golden-hour window behind her, editorial photograph.”
Everything before the semicolon is the finder card — it never changes. The variable after it is the only thing that is new in this frame.
“Fictional 34-year-old woman, long dark mahogany hair in a high twisted topknot with one loose strand at her temple, warm honey skin, a small mole above her left eyebrow; the same sunset-orange satin set, standing against a plain cream studio wall, one shaft of evening light from the left, editorial photograph.”
A bare backdrop is the honest test of a finder card. If she can still be found against a blank wall, the card is sound and the directory can be trusted.
| Setting | Standard model | Premium model |
|---|---|---|
| Cost | 6 credits | 41 credits |
| Kept for | Series work, daily frames, volume | Covers, hero frames, the one image everyone sees first |
| Method | Generate many, keep few | Brief slowly, generate few |
| Symptom | Cause | Correction |
|---|---|---|
| The character changes between frames | The finder card was rewritten from memory | Paste the same card every time; vary only the line below it |
| The frame feels crowded and unfindable | Too many objects and actions in one brief | One place, one action, one light source per entry |
| Hands and small props break | Hands asked to hold fine detail | Rest the hands, or crop the frame at the waist |
Yes. Registration is free, and the daily check-in gives you 6 credits — exactly the cost of one standard frame. That is one freshly listed frame every day, for as long as you keep checking in. Credit packs are there for the days when the workload runs longer.
A standard frame costs 6 credits, shown before you confirm the job. The premium model costs 41 credits and is best kept for covers and hero frames rather than daily series work.
Write her finder card once — age, hair, build, face, signature — and paste it unchanged at the top of every prompt. Change only the outfit, the setting and the light in the variable line below it, and check each result against the card.
No. Frames rest private in your account. Only what you deliberately publish appears in the gallery, and unpublishing takes effect immediately.
A tall 832×1248 portrait frame, ready for feeds and stores. When a destination demands more, the image upscaler at the end of the directory is the finishing listing.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator